Showreel Shot Breakdown:

0:01 - 0:06 - Opening titles. Everything by Mark (modeling, texturing, animation/simulation, compositing). Software: Houdini, ZBrush, Nuke, After Effects.

0:06 - 0:12 - From the feature film, Separation, directed by William Brent Bell. Mark: fluid sims, compositing, camera track. Software: Houdini, Nuke. Client: Afterparty VFX.

0:12 - 0:15 - From the original short film, "Baiser (Kiss)". Mark: everything. Software: Houdini, ZBrush, Nuke, After Effects.

0:15 - 0:15 - From the short film, "neurotica", directed by Laura Moss. Mark: VFX. Software: After Effects.

0:16 - 0:18 - From the short film, "neurotica", directed by Laura Moss. Mark: VFX. Software: After Effects, Maya.

0:18 - 0:21 - Two animated bumpers for the anthology television series, Cabane à Sang. Mark: everything (except original logo design). Software: Houdini, ZBrush, Maya, Photoshop, Nuke, After Effects.

0:21 - 0:24 - From Benefit Cosmetics Contour Pro commercial. Mark: replaced/repositioned background elements to create trompe l'oeil effect. Client: Bindery NYC.

0:24 - 0:25 - From the TBS series, The Detour, episode 305, "The Boat". Mark: background replacement. Software: After Effects. Client: Mechanism Digital.

0:25 - 0:27 - From the ABC series, Will Trent, episode 108. Mark: body bag repositioning/reprojection; equipment and crew paintouts. Software: Nuke. Client: Stargate Studios.

0:27 - 0:28 - From the ABC series, Will Trent, episode 111. Mark: squib cleanup. Software: Nuke. Client: Stargate Studios.

0:28 - 0:29 - From the AMC series, Preacher, episode 308, "The Tom/Brady". Mark: truck launch ramp paintout. Software: Nuke. Client: FuseFX.

0:29 - 0:30 - From the NBC series, The Enemy Within, episode 101, "Pilot". Mark: car camera rig paintout. Software: Nuke. Client: FuseFX.

0:30 - 0:31 - From the AMC series, Preacher, episode 308, "The Tom/Brady". Mark: monitor comps. Software: Nuke. Client: FuseFX.

0:32 - 0:33 - From the feature film, Shakespeare's Shitstorm, directed by Lloyd Kaufman. Mark: VFX. Software: After Effects, Maya. Client: Troma Entertainment.

0:33 - 0:34 - From the feature film, Return to Return to Nuke 'Em High (a.k.a. Volume 2), directed by Lloyd Kaufman. Mark: everything (modeling, texturing, animation, simulations (fluid, cloth, and particle), compositing). Software: Maya, ZBrush, Nuke, Photoshop. Client: Troma Entertainment.

0:34 - 0:37 - Compositing breakdown from "talking dog" short, "Man's Worst Friend", by comedy group Reverse Cowboys. Mark: 3D tracking, compositing, and eyebrow animation. Software: Nuke. Client: Omega Darling.

0:37 - 0:40 - Compositing breakdown from the short film, "Analog". Everything by Mark (modeling, texturing, animation, tracking, compositing). Software: Maya, Nuke, After Effects, Photoshop.

0:40 - 0:42 - From the original short film, "Happy Easter". Mark: everything. Software: Houdini, ZBrush, Maya, Nuke, After Effects.

0:42 - 0:45 - From Lipton Tea "Enticing Chai" VR experience. Mark: particle simulations. Software: Maya. Client: Afterparty VFX.

0:45 - 0:48 - From the original short film, "Even Slimebunnies Started Small". Mark: everything. Software: Houdini, ZBrush, Unreal Engine 4.

0:48 - 0:54 - From projection design animations for the 2015 Baltimore Center Stage production of the stage musical Marley. Originally projected across three large screens (approx. 36' wide total) along the back of the stage. Mark: 3D modeling and animation. Software: Cinema 4D. Client: Imaginary Media.

0:54 - end - Closing titles. Everything by Mark. Software: Houdini, Adobe Animate, ZBrush, After Effects.
0:54 - end - Closing titles. Everything by Mark. Software: Houdini, Adobe Animate, ZBrush, After Effects.

Reel edited using Adobe Premiere Pro.

Music: Raymond Scott Quintette, "New Year's Eve in a Haunted House"